sansaspark:

During the scene when Mulan decides to go to war instead of her father, she decides to do it while sitting on the foot of the Great Stone Dragon. The image of the dragon looking over Mulan is repeated several times throughout the sequence, and the bolts of lightning strike at significant times whenever the dragon is in sight. When Mulan takes her father’s scroll and when she is praying to her ancestors, the Great Stone Dragon can be seen. It is also engraved on the sword Mulan uses to cut her hair and the handles of the wardrobe containing the armor are in the shape of the dragon’s head. The dragon’s eyes glowing in the temple symbolizes Mulan’s role as protector of her family awakening, instead of the actual dragon.

The reason Mushu couldn’t wake the dragon is because the dragon was no longer there. Mulan is implied to be the Great Dragon that protects her family.

The greatest gift and honor is having you for a daughter.

nadiaoxford:

cannonbarrage:

nadiaoxford:

I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.

Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.

It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.

Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.

(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

frickfractals:

He’s very talented. He’s charming.He mirrors everyone. And actually, the original story had a lot to do with mirrors, and in many iterations of the story we’d talk about mirrors and we’d bring them up and so I held on a little to that.

And he’s goofy with [Anna], he’s a little more bold and aggressive with the Duke, ‘cause the Duke’s a jerk so he’s a jerk back, and then, with Elsa he’s a hero. 

What Hans is is a mirror, charming, but hollower, sociopathic. [Anna’s] so lonely, that it’s like she’s falling in love with her reflection in the pond. (x)

It’s important to note that in the original story the main “antagonist” (or really the thing that fucked shit up) was an evil mirror that froze people’s hearts

droo216:

once upon a time au →in which the show is dark and gritty and well-acted and well-written with thorough world-building and showrunners who are educated in the source material and it’s magically everything I’ve ever wanted

The Coalition of Queens

Jaimie Alexander as Snow White, Queen of the North
Sophia Myles as Cinderella, The People’s Queen
Annabelle Wallis as Aurora, The Sleeping Beauty
Sophie Turner as Ariel, Princess of Atlantica
Sarah Bolger as Belle, Queen of the South
Indira Varma as Jasmine, Sultana of Agrabah
Q’orianka Kilcher as Pocahontas, Chiefess of Powhatan
Zhang Ziyi as Hua Mulan, Defender of China
Estella Daniels as Tiana, The Frog Princess
Tamsin Egerton as Rapunzel, Princess of Corona
Lily Cole as Merida, Queen of Dun Broch
Emily Rose as Emma Swan, The Lost Princess

acquaintedwithrask:

strampunkgear:

foreverdisneynerd:

For Atlantis, Disney needed a new language for the Atlantean people. To do this, Disney hired Mark Okrand, the man who also created the famous Klingon and Vulcan for the Star Trek series. In the Atlantean language, Mark Okrand’s main source for it’s roots and stems of its words are Proto-Indo-European,but as Okrand also described it as being the “tower of babel” or “root dialect” for all languages in the world, he also used ancient Chinese, Latin, Greek, Biblical Hebrew, along with many other ancient languages or their reconstructions. As such, you can actually learn to write and speak the language!

This film is so underrated it hurts.

ah this explains how they understood french and english so well almost instantly… better than the magical wind in Pocahontas that’s for sure